index ; 2. building a database of music reviews
Since there are professional pop music critics, does it follow that pop music should be judged as art? Are the variables and qualities of a pop record different and substantial enough to justify the existence of a specialized field of criticism? Do certain pop critics or pop music publications display a particular, consistent, and demonstrable set of aesthetics through the use of a specific language? Is everybody in pop music criticism speaking the same language? Are pop critics doing a good job? What does it mean to do a good job as a pop music critic? What is the difference between good and bad pop music criticism?
Since I like computers, I'm always trying to find new ways to use computers as a creative tool. My idea was that if I could get lots of pop music reviews in the same place, I could write some software that could find the words and phrases that the reviews have in common with each other. I could then use those results to try and make some "critic-friendly" music, perhaps coming a bit closer to answering some of the above questions in the process.
In this project, I will use content analysis techniques to find commonly-used words in a large database of popular music reviews, and then use collections of those words as creative guidelines for the writing, arrangement, and recording of a couple of pop songs.
index - 2. building a database of music reviews
My goals for this project are to:
[I will do this by creating lists of words that reviewers use to describe the music that they like and don't like.]
[I will create a couple of pop songs using the aforementioned word lists, forcing myself to make musical choices that I wouldn't make if left to my own devices, and encouraging myself to think about the music-making process in new ways.]
To accomplish these goals, I will perform the following steps:
Phase one (data gathering):
Phase two (music making):